Silverthorne Lane: Plot 6
Transitional Waters – Feeder Canal Artist Residency
Artist(s): Rachael Champion and Jonathan Trayte
Date: 2023
Commissioner: Studio HIVE
Partners: Screenology, City of Bristol College, UWE Bristol, University of East London, Cardiff University
Ginkgo Projects are working with Studio Hive to deliver their public art programme for Plot 6, Silverthorne Lane, the westerly most plot in the Silverthorne Lane development.
Within Plot 6, this approach has taken the form of a 6-month artist residency, programme of engagement and public event with artists Rachael Champion and Jonathan Trayte called Transitional Waters.
Public art strategy
Ginkgo Projects produced a site-wide public art strategy for Silverthorne Lane which proposed an approach to commissioning focusing on green and blue infrastructure (the ecology of both the land and water within the site) and access to nature prompted by the fact that the Feeder Canal forms one side of the entire length of the site boundary.
ARTIST RESIDENCY
Rachael Champion and Jonathan Trayte were commissioned to undertake a 6-month residency, through which they researched, tested and created proposals for an urban nature reserve on the Plot 6 site.
The residency has been an opportunity to explore ways of supporting both the urban wildlife and those people who interact with it to better co-exist and care for one another, increasing people’s understanding and awareness of the wildlife in and around the Feeder Canal. When completed, the urban reserve will become an area of enriched accessible green that will mature and invite further wildlife and visitors into the site as the years go by.
During the residency phase, Rachael and Jonathan have developed partnerships with organisations and experts such as City of Bristol College, Screenology, Bristol Natural History Consortium, and UWE Bristol, as well as artists, makers and nurseries, community groups and businesses in the St Phillips Marsh area.
A public programme of activity took place from September to November as part of the artist residency, including: participation in a Europe wide bioblitz; creation of temporary animal shelters with students from the foundation course at City of Bristol College; a sound artwork by artists Sonia Levy and Lucy A Sames; and a project with students from Screenology (a film making school based on Silverthorne Lane). The residency culminated in an event and exhibition at the Screenology building on Silverthorne Lane in November 2023.
PUBLIC ENGAGEMENT ACTIVITIES
The key public engagement activities delivered within the residency were:
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A Mini Bioblitz with Dr Heather Rumble and the Bristol Natural History Consortium - This tied into the UK wide bioblitz being held on the same day. A bioblitz is a communal citizen-science effort to record as many species within a designated location and time period as possible.
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The bat walk was led by expert Caroline Nash. It explored the area around Bristol’s Feeder Canal, listening to and observing the area’s bat population. The data collected contributed to the Bristol Natural History Consortiums EuroBioblitz 2023. Pipstrelles and Soprano Pipistrelles were recorded out by the canal during the walk.
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A freshwater/canal ecological survey of the Feeder Canal with Dr Frederick Windsor
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For this aspect of the research residency, Rachael and Jonathan worked with artists Sonia Levy and Lucy A. Sames to create a sound artwork that captures unseen and critical perspectives about the Feeder Canal’s ecology and history. It provided unusual perspectives and outlooks on the canal’s ecology and history, providing a nuanced and refreshing interpretation of the site.
Sonia Levy - Collaborating Artist - Sonia Levy's research-led practice considers shifting modes of engagement with other/more-than-human worlds in light of prevailing earthly precarity. Her work operates at the intersection of art and science, a co-becoming of practices tending to the reweaving of multispecies worlds.
Dr. Lucy A. Sames - Researcher - Lucy is a curator, writer and researcher living and working between London, Bristol and South Wales.
Dark, Sloshing and Unseen Tails
Sonia Levy & Lucy A. Sames, 2024. 30’06”
Dark, Sloshing and Unseen Tails is an audio work by Sonia Levy and Lucy A. Sames developed in response to the industrialised riparian landscape and neglected worlds of Silverthorne Lane in East Bristol and their ties to troubling webs of colonial history.
The composition centres sound recordings conducted in and around Silverthorne Lane, the Feeder Canal, and the Avon estuary, using underwater and contact microphones. These recordings travel above and below the waterline, bridges, electric grid, trainlines and roads, capturing the muted soundscapes of ecological formations amidst multiple infrastructures. They explore altered dynamics among metabolic, industrial, and urban processes. The composition opens with a quote from Bristol-born artist Richard Long: ‘Mud is a mixture of time, water, and stone,’ and continues with a text focusing on the site’s dense, muddy histories. This text was developed through site visits, listening research, and ecological surveys of the same area.
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Rachael and Jonathan collaborated with Urban Ecologist Heather Rumble and City of Bristol College foundation students to design and build a series of architectural structures for local wildlife. The architecture was designed with specific species in mind with a creative sculptural aesthetic to generate visual interest for the area’s more-than-human visitors and habitants. The students responded to a real-world brief and their observations and outcomes influenced the final designs for the wildlife reserve at Plot 6.
It was an exciting week with the students at City Bristol College. Working in groups, the students made initial designs, models and then dove into constructing their sculptures. The pieces were transported to the Barton Hill Trading Estate adjacent to Plot 6 where they were hosted by local company Rank Engineering (they can be seen from Feeder Road) and St. Philips Marsh Nursery School. The sculptures will remain at these locations until August of 2024. Screenology documented the whole project.
Video: More Than Human Workshop
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A weekend exhibition and event bringing the residency to a close. Transitional Waters explored Bristol's Feeder Canal as a cultural and ecological place in transition. The exhibition featured artworks and research created and encountered during the Feeder Canal Research Residency. The event was held at Screenology and included an exhibition, creative workshops, vegan lunch and a series of talks:
• Looking Closely - Digital Microscope Creative Workshop with artist Rachael Champion and ecologist Maya Murphy Cole. Inspired by our ecology surveys, using a digital microscope to observe the intricate details of specimens at a large scale.
• A feast of delicious Afro vegan dishes by Houria, a Bristol-based CIC who are passionate about food and refugee rights.
• An afternoon of talks and screenings:
- Industry and Bristol’s Waterways by Dr. Marianna Dudley, environmental historian, University Of Bristol
- A.H.C Smith writer, author of Up the Feeder, Down the Mouth, A play about Bristol’s Docks
- Heavily Modified Water Bodies by Sonia Levy, artist
- Dr. Fred Windsor, network ecologist, Cardiff University
- Dr. Caroline Nash, green infrastructure ecologist, University of East London
Art Commissioning at Silverthorne Lane
Encouraging and supporting people’s access to the rich green and blue infrastructure in Bristol can contribute to improving physical and mental wellbeing within our cities. The art commissioning at Silverthorne Lane provides a valuable opportunity to contribute to the creation of a healthy place for people to live and work, as well as creating a destination and place of value for people in local communities and the wider city.
The development at Plot 6 will provide student housing with substantial amenity areas and public landscaping in and around it. This includes:
A large enriched courtyard area and landscaped frontage to the canal with public access
Provision of 706 bedrooms with none on the ground floor
A new focal gateway tower at the east of the site
A holistic approach to flood mitigation, access, movement and landscape